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 Pepe Cabrera在西班牙白色海岸(Costa Blanca)區域設計了一個具有康定斯基風格的花園，將其完美而永恒地呈現在廣闊的大地上，充滿了自然特性與創造力。Pepe Cabrera設計的這個項目是對傳統花園的全新嘗試，對藝術方面的參考賦予了花園康定斯基畫作所特有的風格。某些特定的阿拉伯庭院的特征出現在私人花園中。這是一個在極簡環境中充滿視覺效果的花園，材料與植物結合緊密，自然是所有事物的創造原則和基石。幾何與有機元素結合在一起，為有序而天然的元素營造空間。這一愿景促使Pepe Cabrera設計一個在自然之中充滿創意、由組織性的空間。曲線成為形象上的統領者，整合、劃分、組織空間，與周圍環境形成聯系而非相互抵觸。通過這種方式，Pepe Cabrera在抽象中獲得了自由。他的設計作品與美學并存，為‘Jardín in the Marina Alta’的環境塑造了一種突出的自然現實主義。

 

The story of the Costa Blanca now includes a Kandinsky.This perfect and timeless exhibit can be now viewed in an expanse where nature and creativity go hand in hand. A search for artistic reference has brought together the garden and the painting by Kandinsky. A project by Pepe Cabrera that is in itself is a new take on a traditional garden. Certain Arab courtyard influences have now converged in a private garden. A garden designed for visual impact in a minimalist environment where the line between materiality and vegetation has been brought together.Nature is the creative principle and bedrock behind everything that exists. This is how the geometric and the organic combine together to make way for the organised and the rawness to be in tandem.This vision leads Pepe Cabrera to search for a project that speaks to a creative, organised space with room for nature. Thus the curved shape becomes a figurehead capable of integrating, distributing and organising space while at the same time connecting with its surroundings without them competing with each other. In this way, Pepe Cabrera finds liberation in abstraction. A parallel between his work and the aesthetic providing natural realism to the environment that stands boldly in front of the ‘Jardín in the Marina Alta’.

 

▼廣闊自然環境中的花園，the garden in an expanse nature

 

項目本質上是花園與農業的相互統一。橘子樹、杏樹、網球場和住宅彼此聯系，這種聯系構成了Marina Alta私人花園在日常使用中的精妙之處，讓周圍環境變成一種純凈、親切、幾何型的視圖，讓規整的結構與自然融合。因此，圍繞著‘Jardín in the Marina Alta’的農業景觀是這片廣闊土地發展的基礎和靈魂。和周圍的田野一樣，干燥的石頭邊界圍合內部種有樹和本地植被的圓形區域，構成花園不同的高度層級。因此也可以說，在農業中使用的特色結構現在被Pepe Cabrera應用到了花園的結構中。

 

The essence of this project marks the unifying character between the garden and agriculture. The orange groves and almond trees, a tennis court and the house itself are all connected. Connections that alone make up the essence of the day to day usage of this private garden in the Marina Alta. Such links turn the surroundings into a pure, cordial, geometric vision, capable of unifying the rigidity of the construction with nature.Therefore the agricultural landscape that surround the ‘Jardín in the Marina Alta’ serve as a base and inspiration for the development of this expanse.Like the fields that surround it, dry stone borders amplify the larger circular areas which contain trees and indigenous specimens. At the same time they serve to amplify the different levels that rise up the garden. So we could say that these particular structural components present in agriculture are now encompassed by Pepe Cabrera as the structural components of this garden.

 

▼花園、網球場和住宅相互聯系，the garden, a tennis court and the house itself are all connected

 

▼農業景觀是這片廣闊土地發展的基礎和靈魂，the agricultural landscape serve as a base and inspiration for the development of this expanse

 

▼干燥的石頭邊界圍合內部種有樹和本地植被的圓形區域，dry stone borders amplify the larger circular areas which contain trees and indigenous specimens

 

▼幾何形態的花園受康定斯基影響，geometric form of the garden take reference from Kandinsky

 

在創造空間連續性的目標下，Pepe Cabrera建筑及室內設計工作室建立了花園中由不同邊界所產生的片段式藝術作品與本土特色的花園組成部分之間的連續性，使花園具有自發性和獨立性。這些完整的圓形區域內部容納了樹木等自然元素并鋪設樹皮將它們間隔開。區域其它組成部分受到Alicante景觀豐富色彩的影響，使用了土和石材結構。‘Jardin in the Marina Alta’花園中協調的色彩模糊了Pepe Cabrera設計與康定斯基作品之間的差異，讓兩者仿佛融合在一起，形成一種線條與體塊之間的抽象組合。

 

The aim of creating spatial continuity leads the architecture and interior design studio to propose a continuity between the artwork generated by the different peripheries and components of the garden with a local flavour that allow the garden to be practically autonomous and self-sufficient. Thus these pure circular areas contain the larger natural elements – like the trees – and they are set apart thanks to the use of tree bark. The other components displayed in the area are from a colourful range taken from the Alicante landscape and backed up by the use of earth and stone from it.In particular ‘Jardin in the Marina Alta’ plays with the colour balance blurring the differences between Pepe Cabrera’s and Kandinsky’s work as if it were coming together, an abstract combination between volume and line.

 

▼花園使用石材形成不同的高度層級，the garden use stone to amplify the different levels that rise up the garden

 

▼土和石塊形成豐富多彩的景觀，a colourful landscape by the use of earth and stone

 

本土植物和配套的滴灌系統實現了規則幾何形與花園、傳統農業地形之間的統一。同時也實現了私人空間與景觀之間實用性與美學的融合。陡坡成為果樹和熱帶野生植物之間的分界線，空間中一些元素作為花園亮點之處，將花園、住宅、周邊景觀聯系起來。公園小徑中使用的指引燈照亮了Vibia凳子和桌子。Pepe Cabrera設計的項目融合了藝術、裝飾和自然，在對地形充分了解和Alicante海濱公園充滿尊重的前提下，將幾何、秩序與植被結合在一起。

 

The connection between very rigid geometries, the garden and the traditional agricultural terrain is achieved thanks to a use of autochthonous species that follow a drip irrigation system. A practical and aesthetic coherence between private space and the landscape.In this way, the steep slope serves as the line between the fruit trees and the tropical native wildlife, but not forgetting the other uses of space which provide the garden with a luminosity that connects the house with the garden and the surrounding fields, thanks to beacon lights which mark the garden paths, as well as illuminated stools and tables from Vibia. Art, decoration and nature combined in this Pepe Cabrera project brings together geometry, order and vegetation due to knowledge of the terrain and respect for the essence of the Alicante coastal garden.

 

▼戶外家具，outdoor furnitures

 

▼公園小徑中使用的指引燈照亮了內部的凳子和桌子，beacon lights which mark the garden paths, as well as illuminated stools and tables

 

Client: Private

Location: Denia, Spain

Architecture: Pepe Cabrera Architecture and Interior Design

Year of the project: 2018

Photography: Mayte Piera

Photographic Editor: Adrián Maroto

Text: Concha Rodrigo

 

來源：本文轉載自谷德設計網(gooood)

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